About my site: FESTIVAL NEWS===OZZFEST 2007 DETAILED MARCH NEWS(From the official site)

Reign of Chaos

Monday, 2 April 2007

FESTIVAL NEWS===OZZFEST 2007 DETAILED MARCH NEWS(From the official site)

March 30, 2007
GET TICKETS TO OZZY’S ROCK HONORS PERFORMANCE IN LAS VEGAS!

Get tickets to Ozzy's Rock Honors performance in Las Vegas at the Mandalay Bay on May 12th now!! Go here to get your tickets starting at Noon PST today!

CLICK HERE FOR TICKETS

March 21, 2007

THIS YEAR'S GROUND-BREAKING OZZFEST PROUDLY ANNOUNCES
LAMB OF GOD, HATEBREED AND LORDI
AS AMONG THE FIRST ARTISTS
TO LEAD THE CHARGE WITH OZZY OSBOURNE
AT THIS SUMMER'S HISTORIC
"FREEFEST"

"Come join us," said OZZY and SHARON OSBOURNE February 6 at the Los Angeles press conference to unveil the bombshell: this year's 12th annual OZZFEST will be known as "FreeFest." OZZY and SHARON's statement--with tour producer LIVE NATION--was an invitation for other artists to join OZZY by performing for free, thus making the tickets to the summer's premiere touring concert festival entirely free for fans.

This bold invitation to perform in front of tens of thousands of frenzied rock kids has already been accepted by such artists as Lamb of God, Hatebreed and cutting-edge Finnish act Lordi, who will lead the charge with OZZY in this historic move that redefines a concert industry marred by rising ticket prices. Lamb of God and Lordi will perform on the main stage with OZZY, while Hatebreed will headline OZZFEST's reliably down and dirty second stage with Mondo Generator, Ankla, Circus Diablo, Nile and The Showdown. These are only the first artists who have stepped forward to be part of this ground-breaking touring extravaganza, with more artists to be announced in the coming weeks for the main and second stages.

The 24-city earth-pounding OZZFEST will now launch July 12 in Seattle, WA at the White River Amphitheatre. The tour was originally announced to start July 7 in Southern California but had to be moved to accommodate the extension of OZZY's European tour. OZZFEST will also hit Seattle, WA, George, WA, Sacramento, CA, Mountain View, CA, Devore, CA, Phoenix, AZ, Albuquerque, NM, Denver, CO, Kansas City, MO, Dallas, TX, San Antonio, TX, St. Louis, MO, Columbus, OH, Tinley Park, IL, East Troy, WI, Indianapolis, IN, Holmdel, NJ, Hartford, CT, Boston, MA, Philadelphia, PA, Pittsburgh, PA, Detroit, MI, Charlotte, NC and West Palm Beach, FL.

As OZZFEST's founder and namesake, OZZY will make his triumphant return to the headlining position on this year's mainstage after surprising fans last year by performing on the second stage at a handful of dates. Audiences can expect the Prince of Darkness to unveil new songs from his forthcoming studio album (release date TBA), OZZY's first disc of new material since 2001.

To gain entry into this year's OZZFEST, fans will go to www.ozzfest.com or www.livenation.com to find links that will direct them to special sponsor sites where tickets can be secured. Select sponsors will have a unique opportunity to engage fans one-on-one utilizing one of music's best known brands. Tickets will be available for download on June 12. Stay tuned to www.ozzfest.com and www.livenation.com in the coming weeks for more ticketing information.

Artist quotes:

D. Randall, vocalist, Lamb of God: "OZZFEST! OZZFEST!" When we left Ozzfest three years ago, that was a mantra that burned itself into our collective subconscious, one that we repeat to this day in an almost autistic manner. To know once the power, the glory, the sheer brutality of the parking lot circus stupidity that is OzzFest is to be destined to repeat it. The fangs are out- our souls (and livers) needed three years to recover from the last run, but we are back and couldn't be more excited! BUHWHUUURHHH! OZZFEST? Bring it on! This time we have age and wis(dumb) on our side- be warned. It will be OVER this summer."

Jamey Jasta, lead singer of Hatebreed: "We are absolutely honored and beyond excited to be the sole headliner of the Ozzfest 2007 Second Stage. We had a great time on the Main Stage last year but it was obvious that our fans wanted to see us in the setting that they know and love. Having co-headlined the second stage twice in the past, once with Down in 2002 and again with Slipknot in 2004, it's a great achievement for us to now be able to close the show on the second stage and truly make Ozzfest history with our fifth appearance on the world's best tour. We can't wait to demolish the US once again, spending another crazy summer with Ozzy and his traveling circus of metal mayhem!!!! See you on the road!"

Mr. Lordi, Lordi: "It is a great honour for us to be on OzzFest and obviously it's gonna be a great opportunity for us to show the people in the U.S. what we can do.or what they think we can do. [laughs] My best friend is a huge Ozzy fan he's really jealous of the whole thing. I'm gonna try and remember to pick him up an OzzFest t-shirt when we return to Finland. For us the idea of playing OzzFest is still hard to believe. I'll believe it when we're there."

Stay tuned for further information about ticket distribution.FEST 07 ROUTING IS HERE!!

DATE	DAY	VENUE
07/12/2007	THU	White River Amphitheatre, Seattle, WA
07/14/2007	SAT	The Gorge, George, WA
07/17/2007	TUE	Sleep Train Amphitheatre, Sacramento, CA
07/19/2007	THU	Shoreline Amphitheatre, Mountain View, CA
07/21/2007	SAT	Hyundai Pavilion, Devore, CA
07/24/2007	TUE	Cricket Pavilion, Phoenix, AZ
07/26/2007	THU	Journal Pavilion, Albuquerque, NM
07/28/2007	SAT	Coors Amphitheatre, Denver, CO
07/30/2007	MON	Verizon Wireless Amphitheater, Kansas City, MO
08/02/2007	THU	Smirnoff Music Center, Dallas, TX
08/04/2007	SAT	Verizon Wireless Amphitheatre, San Antonio, TX
08/06/2007	MON	Verizon Wireless Amphitheater, St. Louis, MO
08/08/2007	WED	Germain Amphitheatre, Columbus, OH
08/10/2007	FRI	First Midwest Bank Amphitheatre, Tinley Park, IL
08/12/2007	SUN	Alpine Valley Music Theatre, East Troy, WI
08/14/2007	TUE	Verizon Wireless Music Theatre, Indianapolis, IN
08/16/2007	THU	PNC Bank Arts Center, Holmdel, NJ
08/18/2007	SAT	New England Dodge Music Theatre, Hartford, CT
08/20/2007	MON	Tweeter Center, Boston, MA
08/22/2007	WED	Tweeter Center, Philadelphia, PA
08/24/2007	FRI	Post Gazette Pavilion, Pittsburgh, PA
08/26/2007	SUN	DTE Energy Music Theatre, Detroit, MI
08/28/2007	TUE	Verizon Wireless Amphitheatre, Charlotte, NC
08/30/2007	THU	Sound Advice Amphitheatre, West Palm Beach, FL

March 7, 2007
OZZY TO RECEIVE VH1 ROCK HONORS

VH1 pays homage to the legends who influenced the sound of rock with the second annual "VH1 Rock Honors". This year's celebration will honor the music and influence of OZZY, GENESIS, HEART and ZZ TOP.

Premiering on Thursday, May 24 at 9:00 p.m., "VH1 Rock Honors" will be taped at the Mandalay Bay Events Center in Las Vegas on Saturday, May 12. The two-hour tribute will salute the groundbreaking bands of rock, the once in a lifetime events and the influential people who made a lasting mark on the history of rock.

The influence of these honorees will be felt through spoken tributes, filmed packages and performances by some of today's hottest rock acts as well as the legends themselves.

Check soon for interactive honoree profiles, exclusive programming, show information and more at http://rock.vh1.com.

No comments:

SOME DEFINITIONS ABOUT GENRE"S OF ROCK MUSIC & HEAVY METAL MUSIC

Rock and roll (also known as rock 'n' roll) is a genre of music that evolved in the United states in the late 1940s and became popular in the early 1950s, quickly spreading to the rest of the world. It later spawned the various sub-genres of what is now called simply 'rock

The musical basis of rock and roll is its beat, usually accompanied by lyrics. The beat is basically a boogie woogie blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum. Classic rock and roll is played with one electric guitar or two electric guitars (one lead, one rhythm), an electric bass guitar, and a drum kit. Keyboards are a common addition to the mix. In the rock and roll style of the early 1950s, the saxophone was often the lead instrument, replaced by guitar in the mid 1950s. In the earliest form of rock and roll, during the late 1940s, the piano was the lead instrument, and indeed, among the roots of rock and roll is the boogie woogie piano of the big-band era that dominated American music in the 1940s.

The massive popularity and eventual worldwide scope of rock and roll gave it an unprecedented social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language. Many of its early stars, notably Elvis presley, built movie and/or television careers around their music.

The term "rock and roll", which was black slang for dancing or sex, appeared on record for the first time in 1922 on Trixie Smith's "My Baby Rocks Me With One Steady Roll". The word "rock" had a long history in the English language as a metaphor for "to shake up, to disturb or to incite". The verb "Roll" was a medieval metaphor which meant "having sex". Writers for hundreds of years have used the phrases "They had a roll in the hay" or "I rolled her in the clover". 1 In 1934 the Boswell Sisters were referring to the rock and roll of waves in their song "Rock and Roll" [2] Country singer Tommy Scott was referring to the motion of a railroad train in the 1951 "Rockin and Rollin'". [3]

John Lennon summed it up by stating: "If you tried to give rock and roll another name, you might call it 'Chuck Berry'."^[1]

Heavy metal is a genre of rock music that developed between 1968 and 1974.^[1] With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, heavy, guitar-and-drums-centered sound, characterized by highly amplified distortion and fast guitar solos. Allmusic declares, "Of all rock & roll's myriad forms, heavy metal is the most extreme in terms of volume, machismo, and theatricality."^[2]

Heavy metal has long had a worldwide following of fans known as "metalheads" or "headbangers". Although early heavy metal bands such as Led Zeppelin and Black Sabbath attracted large audiences, they were critically reviled at the time, a status common throughout the history of the genre. As the original wave of heavy metal bands began to wane, the late 1970s brought the New Wave of British Heavy Metal, which stripped away much of the music's blues influence and fused it with a punk rock sensibility.

Heavy metal became broadly popular during the 1980s, when many now-widespread subgenres first evolved. Variations more aggressive and extreme than metal music of the past were mostly restricted to an underground audience; others, including glam metal and, to a lesser extent, thrash metal went on to mainstream commercial success. In recent years, new styles such as nu metal have further expanded the definition of the genre.

Power metal is a style of heavy metal music with the aim of evoking an "epic" feel, incorporating characteristics of primarily traditional metal along with thrash metal or speed metal, often within symphonic context. There is some dispute about the term, which can refer to two different, but related styles: one pioneered and largely practiced in North America, and one based in Germany, Italy and Scandinavia. In contemporary usage, "power metal" describes music influenced by or derived from the European variant, with the exception of several American bands that are associated with both power metal and thrash metal. (Iced Earth and Nevermore.)

Thrash metal is a subgenre of heavy metal music, one of the extreme metal subgenres, that is characterised by its high speed and aggression.^[1]

The origins of thrash metal are generally traced to the late 1970s and early 1980s, when a number of bands began incorporating the sound of the New Wave of British Heavy Metal^[2] with elements of hardcore punk (in particular its drum tempos), creating a new genre and developing into a separate movement from punk rock. This genre is much more aggressive compared to its relative, speed metal. There is often significant crossover from one metal category to another, and the influence of non-metal genres, including classical music and jazz, is not uncommon.

Doom metal is a form of heavy metal that emerged as a recognized genre of metal in the mid-1980s. Doom metal is slow, heavy, and rife with pessimism, evoking an atmosphere of darkness, despair and misery. It is strongly influenced by the early work of Black Sabbath. A number of early Black Sabbath tracks, such as "Black Sabbath" and "War Pigs," are often considered embryonic or prototypical doom metal songs. Many of the tracks on their third album Master of Reality (released in 1971) seem to have more in common with what today is seen as doom metal, with tracks such as "Sweet Leaf", "Into The Void", and "Children of the Grave" that featured Tony Iommi's guitar and Geezer Butler's bass tuned down to C# for heavier riffing and reduced string tension for his previously injured fingers. However Black Sabbath was not the only influence. Many doom metal bands started up only a few years after Black Sabbaths debut, with many hailing from countries where the popularity of Black Sabbath had not yet spread.

Gothic metal is a genre of heavy metal music that originated during the mid 1990s in Europe as an outgrowth of doom-death, a fusion genre of doom metal and death metal.

The definition of gothic metal is commonly debated amongst fans and the media; older fans and musicians have a firm concept of the genre and its characteristics, having been around through its growth and evolution, having strict ideas of what bands pertain to the genre and what bands don't. Newer fans reject this categorization as limiting, useless or wrong, often claiming bands are gothic metal that do not meet the criteria of the older fans

Grindcore often shortened to grind, is an evolution of hardcore punk, most commonly associated with death metal and crust punk. Grindcore is characterized by heavily distorted, down-tuned guitars, blastbeats, hardcore punk and crossover thrash influenced riffing, short songs, and a vocal style consisting of growls and higher-pitched vocals, often similar to those found in black metal. Lyrical concepts range from social and political issues to gore and horror to humor.

Speed metal is a sub-genre of heavy metal that spawned in the mid-late 1970s and was the direct musical progenitor of thrash metal^[1] ^[2]. When Speed metal first emerged as a genre, it innovatively increased the tempo of the music template set forth by Black Sabbath, Led Zeppelin, and Deep Purple while keeping their melodic ideas. Speed Metal can find its significant beginnings with NWOBHM bands.

Many speed metal bands also ostensibly fall within the categories of other heavy metal sub-genres, typically Thrash metal, Shred metal and Power metal^[3]. This is mainly due to the influence speed metal had on the development of these genres, although it should also be mentioned that Speed metal was used by some Glam metal and NWOBHM groups during the 1980s. Many Japanese bands from the 1980s to the present can also be described as speed metal, largely due to the success of X Japan.

Black metal is a type of extreme heavy metal music that started in the early 1980s. The genre is characterized by an aggressive and abrasive sound, coupled with a dark atmosphere and rejection of Judeo-Christian values.

The first bands with black metal characteristics included Bathory, Mercyful Fate, Hellhammer/Celtic Frost and Venom. These bands were mostly thrash metal bands that formed the prototype for black metal; they are referred to collectively as the First Wave. In the late 1980s and early 1990s, a Second Wave emerged in Norway, including prominent bands like Darkthrone and Mayhem. Although there is no well-defined Third Wave, modern black metal bands have incorporated new musical and lyrical trends into their music.

Black metal has been met with considerable hostility from mainstream culture, mainly because of the misanthropic and anti-Judeo-Christian attitude of bands contributing to the genre. Additionally, a few black metal bands have been known to have associations with church burnings, murder, and in rare instances, National Socialism.

Death metal Generally includes violent or dark lyrics which focus on death as a nihilistic metaphor, chromatic chord progressions and a varied song structure without a standard verse-chorus arrangement; compositions instead emphasize an ongoing development of themes and motifs. The genre is often identified with downtuned rhythm guitars, fast percussion, and dynamic intensity. Blast beats, exceedingly fast drum patterns, are frequently used to add to the ferocity of the genre. The vocals are often grunts, snarls, and low gurgles colloquially called death grunts or death growls. Death grunts require use of the throat and guts, unlike traditional singing techniques which discourage this technique. Some people consider it an overtone style of singing. Music journalist Chad Bowar notes that, because of the similarity of the vocals to those of the Sesame Street character, the style is sometimes called "Cookie Monster vocals".^[1] This term has become commonly used as a show of dislike for the genre.

Death metal is occasionally known for abrupt tempo, key, and time signature changes, and extremely fast and complex guitar and drumwork, although this is not always the case, as seen in some forms of death metal which focus on ferocity and speed rather than technicality^[vague]. Bands of this genre frequently utilize downtuned and distorted guitars, a downtuned, sometimes distorted bass guitar, a drum set almost universally using two bass drums or a double bass drum pedal. Although this is the standard setup, bands have been known to incorporate other instruments such as keyboards and saxophone. Death metal is very physically demanding of its musicians, especially in its more complex forms.

Death metal lyrics usually address more nihilistic themes than other forms of rock music (with the exception of black metal), usually using metaphors of a gruesome nature to explore a larger concept. The genre, originally an offshoot of thrash metal, was established to celebrate the darker underlying ideas that lay dormant in metal music. The focus on mortality along with the extreme nature of the music likely inspired the naming of this genre.

There are three common theories on the origin of the term "death metal." The first being is the title of the Possessed song Death Metal, which was featured on their 1985 debut album Seven Churches (an album widely regarded as the first death metal album, predating Morbid Angel's and Death's works. But in the same year, a song called Death Metal appeared on the debut album Power from Hell by thrash metal band Onslaught. A 1985 demo by Death was also called Death by Metal. The second theory is that the name of genre pioneers Death was the origin of the genre's name, since their 1987 debut album Scream Bloody Gore made death metal a more recognised form. Their austere name has said to have been adopted as the genre's title. A third theory emerged in 2003 when the late Thomas 'Quorthon' Forsberg of black metal band Bathory claimed in an interview with the British journalist Joel McIver that he had invented the term 'death metal' as far back as 1984, even though his band never pursued a death metal approach.

*Definitons are taken from the wikipedia

Reign of Chaos

About my site

Monday, 2 April 2007

FESTIVAL NEWS===OZZFEST 2007 DETAILED MARCH NEWS(From the official site)

No comments:

To Improve my site more and more please do not hesitate to click the links below

Need a better,faster and more secure browser?

EARN MONEY FROM YOUR WEBSITE & BLOG WITH GOOGLE ADSENSE

SOME DEFINITIONS ABOUT GENRE"S OF ROCK MUSIC & HEAVY METAL MUSIC

LINK PARTNERS